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			<title><![CDATA[Rosario Dawson shows her crotch @ Cannes - photos]]></title>
			<pubDate>Wed, 22 May 2013 15:14:18 +0000</pubDate>
			<link><![CDATA[http://entertainment.terra.com/rosario-dawson-shows-her-crotch-cannes-photos,0a582b0adccce310VgnVCM5000009ccceb0aRCRD.html]]></link>
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			<content><![CDATA[Rosario Dawson is the latest Latina to suffer a wardrobe malfunction at the Cannes Film Festival. Like Eva Longoria before her, the actress arrived at the 'As I Lay Dying' premiere on Tuesday with with a sexy but all too high slit to hat turned against her while climbing the red carpet stairs and exposed her lady bits to the whole of the film fest. Good humored as usual, Dawson took it all in stride and didn't let something so common in the celebrity world ruin her night. On her second appearance on the red carpet, the actress fared better at the 'Cleopatra premiere with a glittery gold gown that made her look like right goddess! Take a look at the best of Rosario Dawson's red carpet looks - wardrobe malfunction and all! -- below! Follow us: Twitter - Facebook]]></content>
			<description><![CDATA[<img src='http://p2.trrsf.com/image/get?src=http://images.terra.com/2013/05/22/rosario-dawson-cannes-10.jpg&o=cf&vs=301x464&hs=619x464' alt="Photo: Getty Images" title="Photo: Getty Images"> <br>Rosario Dawson is the latest Latina to suffer a wardrobe malfunction at the Cannes Film Festival....]]></description>
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			<title><![CDATA[Redford swept away in shipwreck saga 'All is Lost']]></title>
			<pubDate>Wed, 22 May 2013 13:53:09 +0000</pubDate>
			<link><![CDATA[http://entertainment.terra.com/redford-swept-away-in-shipwreck-saga-all-is-lost,15288baa07cce310VgnCLD2000000dc6eb0aRCRD.html]]></link>
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			<content><![CDATA[Robert Redford makes actions speak louder than words in shipwreck drama "All is Lost." He doesn't have much choice. A man-versus-nature tale about a lone sailor adrift on the Indian Ocean, J.C. Chandor's movie has no dialogue, just a few lines of voiceover at the start. Redford says he was excited by "the challenge of being solitary, alone, without having the crutch of words." A second feature from "Margin Call" director Chandor, the movie is screening out of competition at Cannes, where both it and 76-year-old screen icon Redford got a warm reception Wednesday. Redford told reporters that "I believe in the value of silence in film. I believe it in life as well, because there's a lot of talk around  maybe too much."]]></content>
			<description><![CDATA[Robert Redford makes actions speak louder than words in shipwreck drama "All is Lost."...]]></description>
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			<title><![CDATA[Canet seeks gritty New York in 'Blood Ties']]></title>
			<pubDate>Wed, 22 May 2013 12:08:10 +0000</pubDate>
			<link><![CDATA[http://entertainment.terra.com/canet-seeks-gritty-new-york-in-blood-ties,a0572278212ce310VgnCLD2000000dc6eb0aRCRD.html]]></link>
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			<content><![CDATA[The problem with New York these days is there's just not enough litter. At least, that's French director Guillaume Canet's experience. He had to supply his own garbage to recreate the grubby streets of 1970s Brooklyn for his debut English-language feature "Blood Ties." "Every day," the director laughed during an interview at the Cannes Film Festival, where his movie is screening out of competition. "We had a big truck with garbage and we were throwing papers and stuff all the way." The lack of litter was just one of the logistical and cultural hurdles that Canet had to overcome to make the tale of sibling tensions in which two brothers  one a straight-arrow cop played by Billy Crudup, the other a charismatic criminal played by Clive Owen  find themselves on a collision course. Canet, a 40-year-old French screen heartthrob-turned-successful director, had several offers of work in the U.S. after his 2006 French film "Tell No One"  a taut adaptation of a Harlan Coben novel  became a surprise hit in the U.S. He said he turned down the chance to do big-budget pictures in favor of the independently produced and modestly budgeted "Blood Ties." The movie is a remake of the 2008 French thriller "Les Liens du Sang" (literally Blood Ties, but titled "Rivals" in English), which starred Canet as the policeman brother. He collaborated on the script with American director James Gray, whose own Big Apple saga "The Immigrant" screens at Cannes on Friday. Gray was the one who helped translate Canet's dialogue into fluent New Yorkese. The film is steeped in Canet's love of '70s American movies and evokes "Mean Streets"  Martin Scorsese's breakout 1973 drama  and other films of the era, such as director Jerry Schatzberg's junkie drama "The Panic in Needle Park." Canet refers to Schatzberg's movie as a touchstone and screened it for his cast and crew so they could understand where he was coming from. But it was only once he started making the movie that he grasped how much things have changed in New York. "When they were shooting 'Panic in Needle Park' you can see that they were stealing shots in the streets, and you cannot do this in New York now," he said. "You can't shoot without permission, without authorization. It's really difficult." Permits were one problem; another was U.S. cinema's working practices, which struck the Frenchman as both foreign and hierarchical. "Not being able to talk with the extras was very frustrating for me," Canet said. "You have to go through your first assistant, who is going to  in front of you  talk to the extras. "When you have someone in front of you, you want to talk to him directly, you don't want to have someone repeating what you just said. So it's just weird." He got used to it, but audiences at Cannes have been divided on how well his trans-Atlantic hybrid of a film succeeds. The '70s look of the film is powerfully evocative  all polyester, vast cars and even vaster moustaches  and the soundtrack is chock-full of killer tunes. The counter-intuitive casting of British actor Owen as a ruthless crook pays off, and there are some strong performances from a multinational cast that includes Marion Cotillard, Zoe Saldana and Mila Kunis. Belgian actor Matthias Schoenaerts ("Bullhead," ''Rust and Bone") is especially impressive as a vengeful tough. The goal of mixing crime-thriller action with domestic scenes is laudable, and anyone with siblings will recognize the dynamics at play during a disastrous Thanksgiving dinner involving Crudup, Owen, sister Lili Taylor and dad James Caan. But at almost two-and-a-half hours long, some found the movie flabby and its changes of pace and tone uncertain. "What excites me a lot about the script is that it's really a character story, too. You get deeply into the lives of those people," Canet said. But he conceded he might have to trim the film for release in the U.S., where Lionsgate has acquired distribution rights. "I will probably have to cut some stuff for the American audience," he admitted. "The American audience doesn't have this interest of getting into some moments like this, and silence. They want another pace and another rhythm." Canet thinks that's a shame. He worries that something is being irretrievably lost with the decline of the director-driven movies he grew up watching. "There is something particular in this cinema that I like and that I miss right now as an audience," he said. "It's to have the time with the characters. I think that nowadays we are eating life so fast, we are doing things so fast ... (and) in the cinema it's the same thing. We don't take time to digest things." He fears a sense of film history is disappearing, too. "Four years ago, I was in the office of one of the heads of a really important studio in the U.S.," Canet said. "And I talked to him about Jerry Schatzberg  and he didn't know who he was." ___ Jill Lawless can be reached at http://Twitter.com/JillLawless]]></content>
			<description><![CDATA[The problem with New York these days is there's just not enough litter....]]></description>
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			<title><![CDATA[Gosling misses Cannes premiere, sends his regrets]]></title>
			<pubDate>Wed, 22 May 2013 11:05:09 +0000</pubDate>
			<link><![CDATA[http://entertainment.terra.com/gosling-misses-cannes-premiere-sends-his-regrets,cfd62278212ce310VgnCLD2000000dc6eb0aRCRD.html]]></link>
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			<content><![CDATA[The Cannes Film Festival is missing one of its biggest stars of this year's festival: Ryan Gosling. The 32-year-old Canadian actor was unable to attend the premiere Wednesday of director Nicolas Winding Refn's film "Only God Forgives." Gosling stars in the Bangkok noir about a boxing club owner pressured by his mother to his avenge his brother's murder. At a press conference Wednesday, Cannes director Thierry Fremaux read a letter from Gosling apologizing for his absence. The actor is currently in Detroit shooting his directorial debut, "How to Catch a Monster." "Can't believe I'm not In Cannes," Gosling wrote. "I was hoping to come but I'm on week three shooting my film in Detroit. Miss you all. Nicolas, my friend, we really are the same persons in different dimensions. I'm sending you good vibrations." His absence is a blow to the festival, which depends on top stars like Gosling to walk its red carpet and draw the world's media attention to the annual French Riviera extravaganza. Fremaux said he was sad that Gosling couldn't make it. "He is not with us physically, but as he stated, his thoughts are with us," said Fremaux. "Only God Forgives" was screened for the media early Wednesday at Cannes, where it drew mixed reviews for its extreme violence and nightmarish Greek tragedy. Refn, who also directed Gosling in 2011's "Drive," said he understood Gosling needing to stay with his production. "I would never even do it if I was in his situation," said Refn. "One thing is being an actor. When you're directing, it's another arena. "But I speak to him every day on the phone. In a way, he is here." ___ Follow AP Entertainment Writer Jake Coyle on Twitter at: http://twitter.com/jake_coyle]]></content>
			<description><![CDATA[The Cannes Film Festival is missing one of its biggest stars of this year's festival: Ryan Gosling....]]></description>
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			<title><![CDATA[Aretha Franklin taking June off, postponing shows]]></title>
			<pubDate>Wed, 22 May 2013 03:53:09 +0000</pubDate>
			<link><![CDATA[http://entertainment.terra.com/aretha-franklin-taking-june-off-postponing-shows,8d14aa33a92ce310VgnCLD2000000ec6eb0aRCRD.html]]></link>
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			<content><![CDATA[Aretha Franklin is taking off the month of June. A spokesman for the 71-year-old singer says Franklin will reschedule two shows and resume her touring schedule in July. Publicist David Brokaw provided no other details Tuesday. Franklin announced earlier this month that she would cancel scheduled performances in Chicago and Connecticut this week to undergo medical treatment. She did not specify what type of treatment she was receiving. Franklin appeared on the season finale of "American Idol" last week via satellite, singing a medley of her hits with the show's female finalists.]]></content>
			<description><![CDATA[Aretha Franklin is taking off the month of June....]]></description>
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			<title><![CDATA[CBS takes key ratings crown for first time in 21 years]]></title>
			<pubDate>Tue, 21 May 2013 22:18:02 +0000</pubDate>
			<link><![CDATA[http://entertainment.terra.com/cbs-takes-key-ratings-crown-for-first-time-in-21-years,fe542278212ce310VgnCLD2000000dc6eb0aRCRD.html]]></link>
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			<content><![CDATA[Broadcast network CBS said on Tuesday it won this season's ratings race among the 18-to-49 age group most prized by advertisers, claiming its first victory in that audience in 21 years. CBS, a unit of CBS Corp, snatched the title from News Corp-owned Fox, which had dominated the age group for eight straight years until it was hurt this season by a ratings slump for singing competition "American Idol." CBS rode hits like "The Big Bang Theory" and "2 Broke Girls" and was helped by February's Super Bowl broadcast, which attracted the biggest TV audience of the year. Even without the big game, CBS said it would have been first in the key age group. The network drew an average of 3.7 million prime time viewers ages 18 to 49, according to Nielsen ratings data through May 19. Although three nights remain in the season, results are unlikely to change significantly. According to Nielsen, Fox finished second with 3.2 million in the key audience group, followed by Comcast-owned NBC with 3.0 million and Walt Disney Co's ABC with 2.8 million. All of the networks lost viewers among 18-49 year old demographic, with CBS declining by 3.6 percent, as broadcasters fought competition from cable channels and streaming services like Netflix as well as delayed and mobile viewing that Nielsen does not fully measure. CBS also dominated ratings based on overall viewers for the 10th time in 11 years, the network said. Total viewers rose 1 percent to 11.9 million, followed by ABC with 7.9 million, Fox with 7.0 million and NBC with 6.96 million. (Reporting by Lisa Richwine; Editing by Bob Burgdorfer)]]></content>
			<description><![CDATA[Broadcast network CBS said on Tuesday it won this season's ratings race among the 18-to-49 age group most prized by advertisers, claiming its first victory in that audience in 21 years....]]></description>
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			<title><![CDATA[Beyoncé is just as perfect in wax -photos]]></title>
			<pubDate>Tue, 21 May 2013 21:54:44 +0000</pubDate>
			<link><![CDATA[http://music.terra.com/beyonce-is-just-as-perfect-in-wax-photos,2e4c4d63219ce310VgnVCM10000098cceb0aRCRD.html]]></link>
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			<content><![CDATA[The 'Grown Woman' singer had a brand new wax version of herself debut at the Madame Tussaud's wax museum in Tokyo, Japan. Take a look at the best of Mrs. Carter in wax all around the world in the gallery up top. Watch Beyoncé in a brand new commercial below. Follow us: Twitter - Facebook]]></content>
			<description><![CDATA[The 'Grown Woman' singer had a brand new wax version of herself debut at the Madame Tussaud's wax museum in Tokyo, Japan. Take a look at the best of Mrs. Carter in wax all around the world in the gallery up top....]]></description>
			<category><![CDATA[Music]]></category>
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			<title><![CDATA[will.i.am goes back in time for 'Bang Bang' video]]></title>
			<pubDate>Tue, 21 May 2013 21:48:24 +0000</pubDate>
			<link><![CDATA[http://music.terra.com/william-goes-back-in-time-for-bang-bang-video,b3c465e2209ce310VgnVCM10000098cceb0aRCRD.html]]></link>
			<guid><![CDATA[http://music.terra.com/william-goes-back-in-time-for-bang-bang-video,b3c465e2209ce310VgnVCM10000098cceb0aRCRD.html]]></guid>
			<content><![CDATA[Out of all the modern high concept technology will.i.am has access to, we're pretty sure he literally took a time machine and traveled to the 1920s to make the new video for 'Bang Bang.' The video for the song featured on The Great Gatsby soundtrack takes it's cue from the film's decadent era and taps into the grandiose vintage party we all wish we could frequent. Watch the black and white video below. What do you think of the video? Follow us: Twitter - Facebook]]></content>
			<description><![CDATA[<img src='http://p2.trrsf.com/image/get?src=http://images.terra.com/2013/05/21/william-bang-bang.jpg&o=cf&vs=301x464&hs=619x464' alt="Photo: Official Video" title="Photo: Official Video"> <br>Out of all the modern high concept technology will.i.am has access to, we're pretty sure he literally took a time machine and traveled to the 1920s to make the new video for 'Bang Bang.'...]]></description>
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			<title><![CDATA[Marion Cotillard sports a natural glow at Cannes - photos]]></title>
			<pubDate>Tue, 21 May 2013 21:26:56 +0000</pubDate>
			<link><![CDATA[http://entertainment.terra.com/marion-cotillard-sports-a-natural-glow-at-cannes-photos,357001937f8ce310VgnVCM10000098cceb0aRCRD.html]]></link>
			<guid><![CDATA[http://entertainment.terra.com/marion-cotillard-sports-a-natural-glow-at-cannes-photos,357001937f8ce310VgnVCM10000098cceb0aRCRD.html]]></guid>
			<content><![CDATA[We have the biggest crush on Marion Cotillard and we cannot lie! Her adorable day look at the Cannes Film Festival 'Blood Ties' photocall just killed us. The blue shift dress! Her natural makeup! That wind swept hair! How can you NOT love her? Take a look at the French actress looking vraiment magnifique! Follow us: Twitter - Facebook]]></content>
			<description><![CDATA[We have the biggest crush on Marion Cotillard and we cannot lie! Her adorable day look at the Cannes Film Festival 'Blood Ties' photocall just killed us. The blue shift dress! Her natural makeup! That wind swept hair! How can you NOT love her? Take a look at the French actress looking vraiment magnifique!...]]></description>
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			<title><![CDATA[Zoe Saldaña at Cannes: Two chic looks, one day - photos]]></title>
			<pubDate>Tue, 21 May 2013 21:12:54 +0000</pubDate>
			<link><![CDATA[http://entertainment.terra.com/zoe-saldana-at-cannes-two-chic-looks-one-day-photos,3cb2cd3bdd8ce310VgnVCM10000098cceb0aRCRD.html]]></link>
			<guid><![CDATA[http://entertainment.terra.com/zoe-saldana-at-cannes-two-chic-looks-one-day-photos,3cb2cd3bdd8ce310VgnVCM10000098cceb0aRCRD.html]]></guid>
			<content><![CDATA[There's pretty much nothing Zoe Saldaña can't pull off. The actress arrived at the Cannes Film Festival premiere of 'Blood Ties' on May 20 during the day with a great, minimalist day look that showed off her amazing legs. At night, she walked down the red carpet in an elegant blue lace Valentino gown. We think her day look is better by miles, the blue lace gown only reminds us of a old hotel curtain and does nothing for her figure. Take a look at more pics of Zoe from Cannes below and tell us what do you think? Follow us: Twitter - Facebook]]></content>
			<description><![CDATA[<img src='http://p2.trrsf.com/image/get?src=http://images.terra.com/2013/05/21/zoe-saldana-cannes-looks.jpg&o=cf&vs=301x464&hs=619x464' alt="Photo: Getty Images" title="Photo: Getty Images"> <br>There's pretty much nothing Zoe Saldaña can't pull off. The actress arrived at the Cannes Film Festival premiere of 'Blood Ties' on May 20 during the day with a great, minimalist day look that showed off her amazing legs. At night, she walked down the red carpet in an elegant blue lace Valentino gown. We think her day look is better by miles, the blue lace gown only reminds us of a old hotel curtain and does nothing for her figure....]]></description>
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			<title><![CDATA[A diversion in the air for 'Today']]></title>
			<pubDate>Tue, 21 May 2013 19:50:09 +0000</pubDate>
			<link><![CDATA[http://entertainment.terra.com/a-diversion-in-the-air-for-today,93d1aa33a92ce310VgnCLD2000000ec6eb0aRCRD.html]]></link>
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			<content><![CDATA[Two charter airplanes carrying the "Today" show anchor team and their crew from Hawaii to Yellowstone National Park were diverted in the air to Oklahoma for coverage Tuesday of the catastrophic tornado outside of Oklahoma City. Television networks rushed their big names to the scene, including anchors Brian Williams of NBC's "Nightly News" and Scott Pelley of the "CBS Evening News." Both broadcasts were expanded on Tuesday to cover the story, as was ABC's "World News," with Diane Sawyer remaining in New York. Similarly, Shepard Smith of Fox News Channel, Anderson Cooper of CNN and Lawrence O'Donnell of MSNBC led cable news teams on the story. MSNBC's "Morning Joe" broadcast from Moore, Okla. For "Today," in the unaccustomed position of fighting back from the No. 2 spot against ABC's "Good Morning America," it marked the third time in recent months that news disrupted special broadcast plans. Savannah Guthrie's interview with President Barack Obama was overlooked because it happened only hours before the Boston Marathon explosion. And Matt Lauer was in Texas on the day Boston was shut down for the marathon suspect manhunt. The Oklahoma tornado came in the midst of the NBC show's "Great American Adventure" road trip, which had the team scheduled to visit five places in five days. They made one, Monday on the beach at Waikiki, and were headed to Yellowstone when executive producer Don Nash was reached in the air and told about the tornado. "A lot of time and effort went into the Yellowstone visit," he said. "But, ultimately, we are first and foremost a news program and this was a big news story. In the end, it was an easy choice." The planes with Lauer, Guthrie, Natalie Morales, Al Roker and Willie Geist were instead sent further east. It's likely that the third visit of the week, to Chicago, will also be cancelled, Nash said. He's playing it by ear for Thursday's trip to Orlando, Fla., but said "Today" is determined to keep Friday's plans to check on recovery progress from Superstorm Sandy at the New Jersey shore as the summer beach season begins. "It's the right show to do on a week like this," Nash said. While "Good Morning America" did not send its hosts to Oklahoma, weather reporter Sam Champion was well-positioned. He had traveled to Kansas on Sunday to be in place when there were forecasts of severe weather. "CBS This Morning" co-host Norah O'Donnell traveled to Oklahoma to anchor that network's extended coverage Tuesday morning.]]></content>
			<description><![CDATA[Two charter airplanes carrying the "Today" show anchor team and their crew from Hawaii to Yellowstone National Park were diverted in the air to Oklahoma for coverage Tuesday of the catastrophic tornado outside of Oklahoma City....]]></description>
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			<title><![CDATA[Paris Hilton's boyfriend shoves a fan who wanted a picture]]></title>
			<pubDate>Tue, 21 May 2013 19:45:26 +0000</pubDate>
			<link><![CDATA[http://entertainment.terra.com/paris-hiltons-boyfriend-shoves-a-fan-who-wanted-a-picture,cbbfa1a0d68ce310VgnVCM10000098cceb0aRCRD.html]]></link>
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			<content><![CDATA[As Paris Hilton walked through a sworm of paparazzi trying to get into an event in Cannes, a crazy fan wanted to get in a picture with her, that's when her boyfriend River Viiperi went nuts. The Spanish model shoved the fan across the street twice.  In the middle of the mayhem, the socialite started screaming. "I don't want you touching me! Stop stepping on my dress!" to the security team. Follow us: Twitter - Facebook  ]]></content>
			<description><![CDATA[<img src='http://p2.trrsf.com/image/get?src=http://images.terra.com/2013/05/21/paris-hilton-shoves-girl.jpg&o=cf&vs=301x464&hs=619x464' alt="Photo: Video still" title="Photo: Video still"> <br>As Paris Hilton walked through a sworm of paparazzi trying to get into an event in Cannes, a crazy fan wanted to get in a picture with her, that's when her boyfriend River Viiperi went nuts....]]></description>
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			<title><![CDATA[James Franco gets stunned @ Cannes - photos]]></title>
			<pubDate>Tue, 21 May 2013 18:41:30 +0000</pubDate>
			<link><![CDATA[http://entertainment.terra.com/james-franco-gets-stunned-cannes-photos,7cca4d9a368ce310VgnVCM10000098cceb0aRCRD.html]]></link>
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			<content><![CDATA[First, James Franco is intrigued then he can't believe what he's just witnessed! What could've possibly inspired the actor to react like this at Cannes? Franco, who is at the French film festival to premiere his directorial debut, 'As I Lay Dying,' an adaptation of the classic William Faulker novel, was just minding his own business, saying hello to friends and posing for the cameras when he witnessed something so surprising, he could not contain composure. Here are some of our guesses: -Someone had a wardrobe malfunction -He's just be told he's the father of a Parisian model's baby -Zombie William Faulker rose from the dead and arrived at the premiere to eat Franco's brains -Seth Rogen is running at him with news that he has written another movie he has to star in. He tried calling but he didn't pick up which he thought was weird so he flew to Cannes to make sure he was okay. -In a moment alone in deep thought, remembered he left his phone -- filled with incriminating photos - in the back of the limo. What do you think made James Franco's face contort? Take a look at regular old handsome and charming James being quite the stunner himself on the red carpet below. Follow us: Twitter - Facebook]]></content>
			<description><![CDATA[<img src='http://p2.trrsf.com/image/get?src=http://images.terra.com/2013/05/21/james-franco-surprise-canne.jpg&o=cf&vs=301x464&hs=619x464' alt="Photo: Getty Images" title="Photo: Getty Images"> <br>First, James Franco is intrigued then he can't believe what he's just witnessed! What could've possibly inspired the actor to react like this at Cannes?...]]></description>
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			<title><![CDATA[Sorrentino, Bruni Tedeschi bring Italy to Cannes]]></title>
			<pubDate>Tue, 21 May 2013 17:47:11 +0000</pubDate>
			<link><![CDATA[http://entertainment.terra.com/sorrentino-bruni-tedeschi-bring-italy-to-cannes,c0d0aa33a92ce310VgnCLD2000000ec6eb0aRCRD.html]]></link>
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			<content><![CDATA[La dolce vita came to Cannes on Tuesday, thanks to a pair of films set in Italy exploring lives of affluent ennui. Paolo Sorrentino's "The Great Beauty" and Valeria Bruni Tedeschi's "A Castle in Italy" both feature wealthy characters whose lives have an emptiness at their center. Bruni Tedeschi  the only woman among the 20 directors competing for Cannes' Palme d'Or and the sister of former French first lady Carla Bruni  focuses on a Franco-Italian clan facing the loss of its crumbling mansion, its art treasures and possibly its future. Bruni Tedeschi, who stars and co-wrote the script, incorporated many elements of her own family's life into the story, including her brother's death from AIDS. She cast her mother, Marisa Borini, as the mother of her character, Louise, and her ex-partner Louis Garrel as Louise's younger lover. The director said using her own life and family members in her work was natural. "For me, work is a form of therapy," she told reporters. "It helps me sleep better at night. "I think work protects us from what might be a psychodrama." Borini said being directed by her daughter was no different to working with any other filmmaker. "I viewed it as work," she said. "When Valeria said to me cry, I cried. When she said laugh, I laughed. Dance, I danced." "A Castle in Italy," whose mix of family drama and almost slapstick comedy charmed some viewers and bemused others, is a tragicomedy partly inspired by the plays of Anton Chekhov. The most obvious point of reference for Sorrentino's film is "La Dolce Vita," Federico Fellini's 1960 portrait of Rome's wealthy, beautiful and absurd. Sorrentino said he didn't want to dwell on the comparisons  except in one respect. "'La Dolce Vita' is a masterpiece," he said, "and my film will become a masterpiece too." "The Great Beauty" is exuberantly Fellini-esque, with its parade of offbeat and sometimes grotesque characters and its love affair with the city of Rome. Sorrentino follows Jep Gambardella (Toni Servillo), a writer and man-about-town who has drifted into aimlessness after an early success and is turning 65 with a sense of missed opportunities. The film contrasts bacchanalian revels and vapid dinner parties with soaring music and excursions through the gorgeous squares, churches and palazzi of the Italian capital. The film is suffused with an air of melancholy and sense of spiritual emptiness, which Sorrentino explained by quoting a character in the movie, a Mother Teresa-style living saint. "She says, 'You don't talk about poverty. You can only live poverty.' It's like a summary of the film," the director said. "The film doesn't try to tell a tale. It simply tries to portray a poverty that isn't a material poverty, but a different kind of poverty." Spiritual poverty has rarely looked so lush. "The Great Beauty" of the title is life, but also Rome, a city stuffed to bursting with the ancient and the modern, the sacred and the profane. Journalists were generally enthusiastic, though some felt the almost two-and-a-half-hour movie was too much of a good thing. The Guardian called it "the film equivalent of a magnificent banquet composed of 78 sweet courses." Sorrentino, making his fifth trip to Cannes as writer or director of a competing film, said he simply "let myself be overwhelmed by the beauty of the city." "The city always surprises me, stuns me," said the director, who won Cannes' third-place Jury Prize in 2008 with "Il Divo." "What I tried to do was let myself be swept along by the beauty of these sights in Rome." ___ Jill Lawless can be reached at http://Twitter.com/JillLawless]]></content>
			<description><![CDATA[La dolce vita came to Cannes on Tuesday, thanks to a pair of films set in Italy exploring lives of affluent ennui....]]></description>
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			<title><![CDATA[Toback, Baldwin eye Cannes movie-making underbelly]]></title>
			<pubDate>Tue, 21 May 2013 17:32:11 +0000</pubDate>
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			<content><![CDATA[A phrase you will hear often at Cannes is: "Let me run the numbers." The commercial underbelly of the Cannes Film Festival is a nonstop frenzy of deal-making in luxury hotels along the Croisette promenade and aboard yachts moored offshore. Films are pitched with various ingredients  a director, a script, a few stars  as agents and talent pursue international investors and domestic distributors to bankroll their movies. For director James Toback, any claims about the running of "the numbers"  of treating moviemaking as an analytical science  is blatant "pseudo research." "This is where you really need, desperately, a sense of your own value," Toback said in a recent interview. "A sense of your own value as a person and an artist." A year ago, Toback swam through Cannes' sprawling marketplace with cameras and Alec Baldwin in tow, documenting the painful, sometimes humiliating process of trying to get a movie funded at Cannes. He and Baldwin returned to the Cote d'Azur festival Tuesday to premiere the product of that shooting, "Seduced and Abandoned." Even for Toback, a veteran director whose career has ranged from his 1974 debut "The Gambler" to the 2008 Mike Tyson documentary "Tyson," and Baldwin  both of whom know well the ways of Hollywood  witnessing today's financing process was a sobering experience. "It's worse than I thought," says Toback. "It's tougher than I thought. The reasons not to do (a movie) are more blatant. And also the flip-of-the-coin idiocy with which decisions are made. There is a pretense of coherent value. There's a kind of Ponzi scheme at work, where people like to believe that they're acting from some sort of covert intelligence." Baldwin, who has contemplating reentering the film business full-time following his run on the successful NBC TV comedy series "30 Rock," also finds the current film business daunting. "The movie business is tough, and it's tougher now than ever," he said sitting on a terrace off the Palais, the center of the festival. "Sometimes I wonder if I'll ever make another movie again." The Cannes market has grown to be the world's largest for the buying and selling movie projects. For decades, it's been standard practice to begin bankrolling a film by first selling international distribution rights. In recent years, Hollywood studios have focused increasingly on major blockbusters with enormous marketing budgets, leaving less room for mid-budget dramas. "Seduced and Abandoned," which HBO picked up ahead of its Cannes premiere, begins with a quote attributed to the late director Orson Welles: that 95 percent of his life is spent trying to raise money for movies, and 5 percent is actually making them. "It's no way to live," said Toback. To capture the reality of the process, Toback and Baldwin ("the Ed McMahon to his Johnny Carson," says Baldwin) last year went around Cannes pitching a film, to be directed by Toback and to star Baldwin and Neve Campbell. They proposed a version of Bernardo Bertolucci's notorious "Last Tango in Paris," to be titled "Last Tango in Tikrit" that would feature the same "exploratory sex" of the 1972 Marlon Brando original. (Although many later assumed the project was charade for the documentary, Toback insists he still hopes to make it.) They set out hoping to make the film for $15 million to $20 million, but most people they interviewed tell them it's more likely a $3-5 million project. ("I'm too old for that," says Toback.) It would be better, too, if they could get a bigger-name actress, they were told. One financier suggested that Baldwin go back to submarine films like "The Hunt for Red October." Another called him a "TV actor." "The film has to be two things," says Baldwin. "It has to be Jimmy and I humbling ourselves trying to sell a movie here  and it is humbling. And then some sort of homage to Cannes." It also pays homage to movies in general. Interviewed about their irrational love of film are Francis Ford Coppola (who says cinema is "given by the gods"), Roman Polanski, Martin Scorsese, Ryan Gosling, Bertolucci and Cannes director Thierry Fremaux. They're all there to make a case for what Toback calls "the mysterious, intuitive process" of moviemaking. "Seduced and Abandoned" takes on an elegiac tone of nostalgia  complete with a booming score by the late Russian composer Dmitri Shostakovich  for the older, more daring days of the movie business. Shot in a blitz at Cannes, Toback had to figure out much of the film once he got home. They did additional shooting to tie things together after being rejected from the Sundance Film Festival earlier this year. But Toback says he can't imagine having a better time making a film. Baldwin says it was "exhilarating." "I would just assume go make more documentaries like this with Jimmy," says Baldwin, who also recently signed on as producer of "Elaine Stritch: Shoot Me," a documentary about his "30 Rock" co-star. "Let's take some iconic tableau in society  the Super Bowl, a murder trial . the Country Music Awards. We'll think of something that's just a world unto itself and go and make a documentary." "We'll see," he adds with a grin. "He and I have some ideas." ___ Follow AP Entertainment Writer Jake Coyle on Twitter at: http://twitter.com/jake_coyle]]></content>
			<description><![CDATA[A phrase you will hear often at Cannes is: "Let me run the numbers."...]]></description>
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			<title><![CDATA[Video: Juan Luis Guerra talks singing in the rain with Terra]]></title>
			<pubDate>Tue, 21 May 2013 16:31:27 +0000</pubDate>
			<link><![CDATA[http://music.terra.com/video-juan-luis-guerra-talks-singing-in-the-rain-with-terra,52399446ae7ce310VgnVCM10000098cceb0aRCRD.html]]></link>
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			<content><![CDATA[Juan Luis Guerra is an unstoppable force in Latin music and with his new live CD/DVD Asondeguerra, he shows that not even a rain storm can slow him -- or his loyal fans -- down. In this exclusive interview with VJ Mauri, The dominican music legend talks performing in front of over 50,000 strong hometown crowd in the middle of a rainstorm, how the rain brought the best out of him and the crowd, having Romeo Santos and Juanes drop by. The always composing musician also let us know how he captures his muse on the road and how he remains so consistently awesome with every new album. "You need to be beware [while recording] that you need to offer your best. I had great teachers in the Beatles, if you look at their albums, each one gave you something different." he tells Terra. "They could surprise you with a Sgt. Pepper or a White Album, Rubber Soul or Abbey Road and you think 'My god, they're always coming out with something different!" That pattern marked my generation. It has to do with the musician's instinct to keep looking and looking [for something new to offer]." Watch the entire interview up top. Juan Luis Guerra & 4.40 Asondeguerra Tour CD/DVD is in stores now. Follow us: Twitter - Facebook]]></content>
			<description><![CDATA[Juan Luis Guerra is an unstoppable force in Latin music and with his new live CD/DVD Asondeguerra, he shows that not even a rain storm can slow him -- or his loyal fans -- down....]]></description>
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			<title><![CDATA[Paulina Rubio to replace Britney Spears on 'X Factor']]></title>
			<pubDate>Tue, 21 May 2013 14:44:14 +0000</pubDate>
			<link><![CDATA[http://entertainment.terra.com/paulina-rubio-to-replace-britney-spears-on-x-factor,852faa33a92ce310VgnCLD2000000ec6eb0aRCRD.html]]></link>
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			<content><![CDATA[Simon Cowell has added former Destiny's Child singer Kelly Rowland and Latin artist Paulina Rubio to the cast of his competition show "The X Factor." Rowland and Rubio will be on the show when it starts its third season on Fox this fall. They replace Britney Spears and record producer Antonio "L.A." Reid. It's a reunion for Rowland and Cowell, although American audiences might not know that. She served as a judge for a season on the more successful British version of the music show. In a news release Monday Rubio told Cowell to "be careful what you wish for." She said she wondered if the notoriously cranky judge would be ready to handle her. Follow us: Twitter - Facebook]]></content>
			<description><![CDATA[<img src='http://p2.trrsf.com/image/get?src=http://images.terra.com/2013/05/21/paulina-rubio-x-factor.jpg&o=cf&vs=301x464&hs=619x464' alt="Photo: Getty Images" title="Photo: Getty Images"> <br>Simon Cowell has added former Destiny's Child singer Kelly Rowland and Latin artist Paulina Rubio to the cast of his competition show "The X Factor."...]]></description>
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			<title><![CDATA[Chris Harrison to host Miss America Pageant]]></title>
			<pubDate>Tue, 21 May 2013 14:44:11 +0000</pubDate>
			<link><![CDATA[http://entertainment.terra.com/chris-harrison-to-host-miss-america-pageant,352faa33a92ce310VgnCLD2000000ec6eb0aRCRD.html]]></link>
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			<content><![CDATA["The Bachelor" and "The Bachelorette" host Chris Harrison will again emcee the Miss America Pageant this September in Atlantic City, N.J. Harrison has hosted the telecast for the last four years. The Miss America Organization says he'll be joined by Lara Spencer of "Good Morning America." Spencer served as a judge for the 2012 pageant. The pageant will take place Sept. 15 in Atlantic City's Boardwalk Hall. The pageant had been held in Las Vegas the past six years.]]></content>
			<description><![CDATA["The Bachelor" and "The Bachelorette" host Chris Harrison will again emcee the Miss America Pageant this September in Atlantic City, N.J....]]></description>
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			<title><![CDATA[Brad Pitt covers 'Esquire' opens up about Angelina - Photos]]></title>
			<pubDate>Tue, 21 May 2013 14:12:34 +0000</pubDate>
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			<content><![CDATA[What makes him happy: “I have very few friends. I have a handful of close friends and I have my family and I haven’t known life to be any happier. I’m making things. I just haven’t known life to be any happier.” On changing throughout his life: “I’d get so far and then want to do something else. I mean, I’m two credits short of graduating college. Two credits. All I had to do was write a paper. What kind of guy is that? That guy scares me – the guy who always leaves a little on his plate. For a long time I thought I did too much damage – drug damage. I was a bit of a drifter. A guy who felt he grew up in something of a vacuum and wanted to see things, wanted to be inspired. I followed that other thing. I spent years f–king off. But then I got burnt out and felt that I was wasting my opportunity. It was a conscious change. This was about a decade ago. It was an epiphany – a decision not to squander my opportunities. It was a feeling of get up. Because otherwise, what’s the point?”  On his kids: “I always thought that if I wanted to do a family, I wanted to do it big. I wanted there to be chaos in the house… there’s constant chatter in our house, whether it’s giggling or screaming or crying or banging. I love it. I love it. I love it. I hate it when they’re gone. I hate it. Maybe it’s nice to be in a hotel room for a day – ‘Oh, nice, I can finally read a paper.’ But then, by the next day, I miss that cacophony, all that life.” Follow us: Twitter - Facebook  ]]></content>
			<description><![CDATA[<img src='http://p2.trrsf.com/image/get?src=http://images.terra.com/2013/05/21/bradpittesquire-close.jpg&o=cf&vs=301x464&hs=619x464' alt="Photo: Courtesy of Esquire" title="Photo: Courtesy of Esquire"> <br>What makes him happy: “I have very few friends. I have a handful of close friends and I have my family and I haven’t known life to be any happier. I’m making things. I just haven’t known life to be any happier.”...]]></description>
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			<title><![CDATA[At last: 'Arrested' is reborn Sunday on Netflix]]></title>
			<pubDate>Tue, 21 May 2013 14:08:10 +0000</pubDate>
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			<content><![CDATA[Portia de Rossi only believed it was happening when her agent got the good news from the producers. Michael Cera only believed it was happening when the cameras rolled. It happened all right. After years of clamoring from fans and rumors firing them up while the cast hung on for a green light, "Arrested Development" has risen from the dead with 15 half-hours premiering en masse on Netflix on Sunday at 3:01 a.m. EDT. "Arrested Development" is the cock-eyed comedy blessed with a king's ransom of talent and the twisted vision of its mastermind, Mitch Hurwitz, that aired on Fox for three seasons as a cult favorite, then was canceled for low ratings  and maybe because it befuddled everyone who wasn't hooked on its lunacy. (Those original three seasons are available for streaming on Netflix, too.) "I think the show scored some 'cool points' for dying before its time," says Cera. "But there are still a lot more places for it to go." Yes, "Arrested Development" died young with a beautiful, if funny-to-look-at, corpse. But its fans weren't ready to bury it. And said so. "Clearly a lot of people DIDN'T like the show," Jason Bateman allows, "so I guess all we were hearing from were those who do  and that happens to be a brand of people who are not afraid of speaking their minds." Now reanimated by public outcry, "Arrested" is going new places. "Mitch and the cast didn't want to do something not as good as the old series," says Bateman (who plays Michael Bluth, the fractious family's would-be mediating presence). "We didn't want to do something lateral or just a retread." "I think it's new at every opportunity," says Cera (who plays Michael Bluth's straight-arrow son), "while retaining the show's original heart." The new Netflix season takes the form of what you might call an anthology as it updates viewers, character by character with each episode, on the Bluth family  that once-wealthy, now-broke and at-each-other's-throats clan squabbling in Newport Beach, Calif. A wicked homage to the scandals of Enron and Tyco and a loopy foreshadowing of the 2008 Wall Street meltdown, "Arrested" premiered in 2003 as a sendup of high-end vanities, greed and corruption as displayed within the Bluth family circle. Besides de Rossi, Cera and Bateman, the cast of "Arrested" Redux brings back Will Arnett, Alia Shawkat, Tony Hale, David Cross, Jeffrey Tambor and Jessica Walter, who reconvened in a strategic yet catch-as-catch-can fashion. "There was no reality where we could get everybody for a full 7- or 8-month period," explains Hurwitz. "That gave birth to the form we came up with for the new series." The 15 episodes dwell on individual characters during the six-year span from when the series was canceled in 2006 up through 2012. That structure was supposed to make it simple to book each actor for an isolated shooting schedule. Then Hurwitz took his creativity another step. Since all the episodes are happening simultaneously, he couldn't resist including crossover appearances from other actors in each episode. He wanted characters and story lines from different episodes to intersect. But his ambition made it all the trickier getting all the actors he needed in place for any given episode. "In a quarter of the scenes, someone is green-screened in," says Hurwitz, who goes on to concede that what began as a solution to a problem of logistics inspired him to create new problems for himself. For instance: "If two characters are having a conversation in one of those characters' episodes and that character's life changes, then in the other character's episode you show the other side of the conversation and the result of it on THAT character." The overall effect is a sort of hypertext array for the 15 episodes. "Mitch made it a choose-your-own-adventure season, in that you can watch any episode out of order and it makes sense but, depending on which order you watch them, the series kind of tells a different story," says de Rossi (who plays spoiled materialist sister Lindsay). Not that "Arrested Development" has ever chosen the simple or obvious path. From the start, it was dense, convoluted and layered, packed with sight gags, self-referential jokes, flashbacks, hand-held cinematography with run-on sequences (promoting improvisation to enhance Hurwitz's scripts) and, of course, its droll, documentarylike narration by Ron Howard, one of the show's executive producers. On Fox, the show won six Emmys and a Peabody as well as critics' love while always fighting for its life in the ratings. But Hurwitz is philosophical about the obstacles his show has faced. They seem to have given him license to obliterate boundaries that otherwise would have hemmed him in. "All of the limitations," he says brightly, "are great creative opportunities." That applied to the new episodes' shooting pace, which Arnett describes as "run-and-gun and crazy." "But it really worked to our advantage. It was 'OK, get over here, here we go,' and we were right back into it," says Arnett (who plays Lindsay's older brother, Gob, a preening, mediocre stage magician). "After working together on the series before, all of us just kind of knew what we're doing. There's an implicit trust there. I know that sounds corny, but it's true." This is a mutual admiration society: The cast heaps praise on Hurwitz, who volleys it back at his actors. And they all join in celebrating "Arrested" viewers, but for whom the show would be long dead and forgotten. "There are way, way more fans of 'The Big Bang Theory,'" notes David Cross (who plays Tobius Funke, a quack-psychiatrist-turned-actor-wannabe). "But they're not as passionate as 'Arrested Development' fans  because there's more to be passionate about." "In either a conscious or unconscious way, our audience thinks  and rightly so  it's THEIR show," says Jeffrey Tambor (who plays jailbird-patriarch George Bluth Sr.). "A lot of people have told me over the years that they would build friendships around the show," Ron Howard adds. "They would judge first dates on whether that person likes 'Arrested Development' or not. It was a means of evaluation." Does that mean there might be children walking around today whose parents were united by "Arrested Development"? "I think that's fair to assume," Howard says with a laugh. ___ Online: http://www.netflix.com ___ EDITOR'S NOTE  Frazier Moore is a national television columnist for The Associated Press. He can be reached at fmoore(at)ap.org and at http://www.twitter.com/tvfrazier.]]></content>
			<description><![CDATA[Portia de Rossi only believed it was happening when her agent got the good news from the producers. Michael Cera only believed it was happening when the cameras rolled....]]></description>
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			<title><![CDATA[Ray Manzarek, founder of The Doors, dies at 74]]></title>
			<pubDate>Tue, 21 May 2013 14:05:42 +0000</pubDate>
			<link><![CDATA[http://music.terra.com/ray-manzarek-founder-of-the-doors-dies-at-74,d6122301467ce310VgnVCM10000098cceb0aRCRD.html]]></link>
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			<content><![CDATA[Ray Manzarek, a founding member and keyboardist of 1960s rock group The Doors, died on Monday at a medical clinic in Germany at age 74 following a battle with cancer, the group's manager Tom Vitorino said. Manzarek, who lived in Northern California's Napa Valley wine country for the past decade, had been seeking treatment in Germany for bile duct cancer, Vitorino said. He died in Rosenheim, Germany, surrounded by his wife and brothers. Singer Jim Morrison and then-UCLA film student Manzarek formed The Doors in 1965 after a chance meeting at Los Angeles' Venice Beach, and Manzarek's keyboard work would go on to be a touchstone of hits like "Break On Through to the Other Side" and "Light My Fire." The band, which was inducted into the Rock and Roll Hall of Fame in 1993, sold some 100 million records since its heyday with psychedelic-era classics such as 1971's "Riders on the Storm." Manzarek's electric organ was a defining aspect next to Morrison's booming voice in the band's blues- and jazz-influenced take on rock and roll. "I was deeply saddened to hear about the passing of my friend and bandmate Ray Manzarek today," The Doors guitarist Robby Krieger said in a statement. "I'm just glad to have been able to have played Doors songs with him for the last decade. Ray was a huge part of my life and I will always miss him." The Doors broke up shortly after Morrison's death from heart failure in 1971, but their mythology exploded following the 1980 publication of the biography "No One Here Gets Out Alive" and the 1991 film, "The Doors," by director Oliver Stone. The band recorded a total of eight albums between 1967 and 1972. After the band's break up, Manzarek released two albums with the rock band "Nite City" in the late 1970s and six solo albums, most recently "Translucent Blues" in 2011 with blues-rock guitarist Roy Rogers. Manzarek and Krieger became locked in a legal battle with drummer John Densmore in 2003 after the two reunited under The Doors name and later "The Doors of the 21st Century," but were finally forced to tour as Manzarek-Krieger. Manzarek, who was born in Chicago in 1939, embraced old age in a 2006 interview with Reuters. "We occupy these bodies for 70, 80, 90 years, and it's so much fun being alive on planet Earth that you want to keep this thing as fresh as you possibly can," he said. "The spirit, the mind, the soul, what's inside of you just gets hipper and hipper as you get older. ... You get a whole broadened outlook on things," he added. "That just naturally keeps going, but the damn body slows down." Manzarek is also the author of two novels and most notably the 1998 memoir, "Light My Fire: My Life with The Doors." Manzarek is survived by his wife, Dorothy, two brothers, a son, daughter-in-law and three grandchildren. Follow us: Twitter - Facebook]]></content>
			<description><![CDATA[<img src='http://p2.trrsf.com/image/get?src=http://images.terra.com/2013/05/21/84339172.jpg&o=cf&vs=301x464&hs=619x464' alt="Photo: Getty Images" title="Photo: Getty Images"> <br>Ray Manzarek, a founding member and keyboardist of 1960s rock group The Doors, died on Monday at a medical clinic in Germany at age 74 following a battle with cancer, the group's manager Tom Vitorino said....]]></description>
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			<title><![CDATA[Teen star Zendaya finishes 1st on 'Dancing' finals]]></title>
			<pubDate>Tue, 21 May 2013 13:59:10 +0000</pubDate>
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			<content><![CDATA[Kellie Pickler came into the final "Dancing With the Stars" episode in second place but finished in first. The 26-year-old country singer won the show's mirror ball trophy Tuesday. "This is amazing!" she beamed to her professional partner, Derek Hough. The pair earned two sets of perfect scores Monday night and another on Tuesday. Judges' scores combined with viewer votes determine the winner. Because there were problems with voting on the ABC website during Monday's East Coast broadcast, host Tom Bergeron said Tuesday those votes weren't counted. Only votes cast by phone, text and Facebook factored into the final count. Teen Disney Channel star Zendaya danced perfectly during the final two episodes, collecting the most points from the judges, but she fell short of the title. "I'm very proud and I'm very happy," the 16-year-old said after the results were read. "And I get to leave here with an amazing experience." Football pro Jacoby Jones finished in third place. Fellow finalist Alexandra Raisman was axed at the beginning of Tuesday's episode. "This has been the best experience of my life," the gold medalist said. "My whole life, all I've ever known has been gymnastics, so to try something new has been amazing." The two-hour finale featured the return of the season's already-eliminated contestants: comedians Andy Dick and D.L. Hugely, Olympian Dorothy Hamill, actor Ingo Rademacher, reality stars Lisa Vanderpump and Sean Lowe, singer Wynonna Judd and boxer Victor Ortiz. Judd opted to sing rather than dance on the final episode, while Hamill celebrated another chance to hit the ballroom floor. The Olympic skater, who said she was motivated to join the show after watching fellow skater Kristi Yamaguchi, had to withdraw from the competition early in the season because of an injury. Hamill danced again Tuesday, and Yamaguchi joined her. "It's such an honor to join my idol out here on the dance floor," said Yamaguchi, the Season 6 "Dancing" champ. Korean pop star Psy brought his unique moves to the ballroom by dancing along with his new single, "Gentleman." Pitbull and Jessica Sanchez also performed. ABC announced earlier this month that the next season of "Dancing With the Stars" will air one night a week instead of two. ___ AP Entertainment Writer Sandy Cohen is on Twitter at http://www.twitter.com/APSandy . ___ Online: http://beta.abc.go.com/shows/dancing-with-the-stars]]></content>
			<description><![CDATA[Kellie Pickler came into the final "Dancing With the Stars" episode in second place but finished in first....]]></description>
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			<title><![CDATA[Video: Maroon 5 debut new single 'Love Somebody']]></title>
			<pubDate>Tue, 21 May 2013 13:45:34 +0000</pubDate>
			<link><![CDATA[http://music.terra.com/video-maroon-5-debut-new-single-love-somebody,e73e8c8ae47ce310VgnVCM10000098cceb0aRCRD.html]]></link>
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			<content><![CDATA[Maroon 5 dropped their new single "Love Somebody" last night on "The Voice." Adam Levine and company were all clad in white and performed theitr pop concoction against a cool blue backdrop. Check out the full performance below and don't forget the band is touring this summer. Follow us: Twitter - Facebook  ]]></content>
			<description><![CDATA[Maroon 5 dropped their new single "Love Somebody" last night on "The Voice." Adam Levine and company were all clad in white and performed theitr pop concoction against a cool blue backdrop....]]></description>
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			<title><![CDATA[In Coens' Cannes hit, Oscar Isaac gets his break]]></title>
			<pubDate>Tue, 21 May 2013 13:44:10 +0000</pubDate>
			<link><![CDATA[http://entertainment.terra.com/in-coens-cannes-hit-oscar-isaac-gets-his-break,09beaa33a92ce310VgnCLD2000000ec6eb0aRCRD.html]]></link>
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			<content><![CDATA[Joel and Ethan Coen had almost given up on casting the lead for their film "Inside Llewyn Davis." The part, a folk musician in early 1960s Greenwich Village, demanded the elusive combination of someone who could both carry a movie and perform the songs central to the film. Then they met Oscar Isaac. "It just didn't happen until he walked in the room," says Joel Coen. "There was a point at which we wondered if we'd written something that was essentially impossible to cast." The Coens have long been known for their casting acumen, but they may have outdone even themselves with Isaac, a 33-year-old, Juilliard-trained actor with a few notable credits to his name but nothing on par with a major Coen brothers release. The film was greeted ecstatically at the Cannes Film Festival at its Sunday premiere, with Isaac hailed as the festival's breakout star and a possible Oscar nominee. "I finally got the shot," Isaac said in an interview. "And I got it in this context, which is more than I honestly could have ever imagined for myself." In the film, Isaac plays Llewyn Davis, a character very loosely modeled on folk musician Dave Van Ronk. Despite his evident talent for personal songs with traditional folk influences, he's an artist just barely out of step with history. Bitter and increasingly frustrated, he's a raging failure, missing his moment, one instead grabbed by Bob Dylan. For many, Isaac's story is kind of an inverse of Llewyn. He is a young actor who gets his chance  "his minute," says music supervisor T Bone Burnett  and takes advantage of it. "The whole story is about a guy who never gets there," says Burnett, the frequent Coen collaborator. "And yet the actual person who's playing that guy, does it. He seizes that minute like a motherf-----." Isaac isn't as sarcastic or as antagonistic as Llewyn: "My energy toward people is very much like 'I mean you no harm,'" he says. And he's trying not to get too far ahead himself with his rousing success at Cannes. His instinct, he says, "is always to diminish any good thing, so as not to be devastated later." While Isaac says that he identifies with the role fortune and opportunity plays in catching a break, he more associates with the workmanlike attitude of both Llewyn and the Coens. For him, it was as much about gradually working toward "Llewyn Davis" as it was landing a single break. "I remember when I was getting out of school, I was like, 'If they just gave me one shot. If they gave me the one shot, oh man, I know I can do it,'" he says. "Then I got my first movie and it came and it went, and I was like, 'If they just gave me one more shot, just another shot.' Then I started getting work, and I realized it's not about that. It's not about the shot. It's about work." Born in Guatemala and raised in Florida, Isaac grew up playing in a variety of bands as a guitarist and singer, everything from ska to a hardcore band in which he sported blue hair. But since coming out of Juilliard, the New York actor has found his musical talents valuable in Hollywood. He also played a musician in the direct-to-DVD high school reunion comedy "10 Years." His most notable previous credits include Madonna's British period film "W.E." and Nicolas Winding Refn's neo-noir "Drive," in which he played the formerly incarcerated husband of Carey Mulligan's character. (Mulligan co-stars in "Inside Llewyn Davis," along with Justin Timberlake.) But when he heard about the Coens' film, he knew that his combination of skills was perfectly suited to the part. "I said: I have to get a shot at this movie because I feel like my 33 years of life have been preparing me to do something like this," says Isaac. He first submitted a recording of himself performing the traditional blues ballad, "Hang Me, Oh Hang Me," which Llewyn plays in the film. He auditioned for a casting director and then later for the Coens. Usually, as a guard against later disappointment, Isaac immediately tosses a script after an audition. But he didn't this time, and kept working on the part for the next month before Joel Coen called to tell him he got the part. His preparation included performing the film's songs, like Llewyn, in downtown New York clubs. Buster Keaton was an influence in forming a "mask of melancholy." "I would go to parties with that and try to interact with people with that," says Isaac. "It's tough because it's not about being cool. In a way, it's just about being very open and very up front with who you are. That was a scary place to live in." But the music was central to character, a kind of window into Llewyn's soul. A bit of advice from Burnett (who also did the music for the Coens' "O Brother, Where Art Thou?") was crucial: "Sing like you're singing to yourself." Along with Burnett, Isaac collaborated with Timberlake and Marcus Mumford. Using the parlance of musicians, Timberlake said Isaac "threw it down" in his performance. "It felt like a little bit of serendipity," Timberlake says of the Cannes reception to Isaac. "Just seeing the looks on people's faces looking at him like, 'Where did you come from?' It felt like: 'Llewyn finally made it.'" Moviegoers will surely become more familiar with Isaac when CBS Films releases "Inside Llewyn Davis" this December in the heart of awards season. (He also co-stars alongside Kirsten Dunst and Viggo Mortensen in the upcoming thriller "Two Faces of January.") "Why this movie is so personal  I think to all of us  is because of the recognition that it just as easily can go the other way," Isaac says. "There's very few geniuses that are shooting across the sky like Shakespeare or Dylan. The rest of us, it's like you have to work and be talented, but you got to be lucky for a lot of this stuff to happen." ___ Follow AP Entertainment Writer Jake Coyle on Twitter at: http://twitter.com/jake_coyle]]></content>
			<description><![CDATA[Joel and Ethan Coen had almost given up on casting the lead for their film "Inside Llewyn Davis." The part, a folk musician in early 1960s Greenwich Village, demanded the elusive combination of someone who could both carry a movie and perform the songs central to the film....]]></description>
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			<title><![CDATA[At last: 'Arrested' is reborn Monday on Netflix]]></title>
			<pubDate>Tue, 21 May 2013 13:05:10 +0000</pubDate>
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			<content><![CDATA[Portia de Rossi only believed it was happening when her agent got the good news from the producers. Michael Cera only believed it was happening when the cameras rolled. It happened all right. After years of clamoring from fans and rumors firing them up while the cast hung on for a green light, "Arrested Development" has risen from the dead with 15 half-hours premiering en masse on Netflix on Monday at 3:01 a.m. EDT. "Arrested Development" is the cock-eyed comedy blessed with a king's ransom of talent and the twisted vision of its mastermind, Matt Hurwitz, that aired on Fox for three seasons as a cult favorite, then was canceled for low ratings  and maybe because it befuddled everyone who wasn't hooked on its lunacy. (Those original three seasons are available for streaming on Netflix, too.) "I think the show scored some 'cool points' for dying before its time," says Cera. "But there are still a lot more places for it to go." Yes, "Arrested Development" died young with a beautiful, if funny-to-look-at, corpse. But its fans weren't ready to bury it. And said so. "Clearly a lot of people DIDN'T like the show," Jason Bateman allows, "so I guess all we were hearing from were those who do  and that happens to be a brand of people who are not afraid of speaking their minds." Now reanimated by public outcry, "Arrested" is going new places. "Mitch and the cast didn't want to do something not as good as the old series," says Bateman (who plays Michael Bluth, the fractious family's would-be mediating presence). "We didn't want to do something lateral or just a retread." "I think it's new at every opportunity," says Cera (who plays Michael Bluth's straight-arrow son), "while retaining the show's original heart." The new Netflix season takes the form of what you might call an anthology as it updates viewers, character by character with each episode, on the Bluth family  that once-wealthy, now-broke and at-each-other's-throats clan squabbling in Newport Beach, Calif. A wicked homage to the scandals of Enron and Tyco and a loopy foreshadowing of the 2008 Wall Street meltdown, "Arrested" premiered in 2003 as a sendup of high-end vanities, greed and corruption as displayed within the Bluth family circle. Besides de Rossi, Cera and Bateman, the cast of "Arrested" Redux brings back Will Arnett, Alia Shawkat, Tony Hale, David Cross, Jeffrey Tambor and Jessica Walter, who reconvened in a strategic yet catch-as-catch-can fashion. "There was no reality where we could get everybody for a full 7- or 8-month period," explains Hurwitz. "That gave birth to the form we came up with for the new series." The 15 episodes dwell on individual characters during the six-year span from when the series was canceled in 2006 up through 2012. That structure was supposed to make it simple to book each actor for an isolated shooting schedule. Then Hurwitz took his creativity another step. Since all the episodes are happening simultaneously, he couldn't resist including crossover appearances from other actors in each episode. He wanted characters and story lines from different episodes to intersect. But his ambition made it all the trickier getting all the actors he needed in place for any given episode. "In a quarter of the scenes, someone is green-screened in," says Hurwitz, who goes on to concede that what began as a solution to a problem of logistics inspired him to create new problems for himself. For instance: "If two characters are having a conversation in one of those characters' episodes and that character's life changes, then in the other character's episode you show the other side of the conversation and the result of it on THAT character." The overall effect is a sort of hypertext array for the 15 episodes. "Matt made it a choose-your-own-adventure season, in that you can watch any episode out of order and it makes sense but, depending on which order you watch them, the series kind of tells a different story," says de Rossi (who plays spoiled materialist sister Lindsay). Not that "Arrested Development" has ever chosen the simple or obvious path. From the start, it was dense, convoluted and layered, packed with sight gags, self-referential jokes, flashbacks, hand-held cinematography with run-on sequences (promoting improvisation to enhance Hurwitz's scripts) and, of course, its droll, documentarylike narration by Ron Howard, one of the show's executive producers. On Fox, the show won six Emmys and a Peabody as well as critics' love while always fighting for its life in the ratings. But Hurwitz is philosophical about the obstacles his show has faced. They seem to have given him license to obliterate boundaries that otherwise would have hemmed him in. "All of the limitations," he says brightly, "are great creative opportunities." That applied to the new episodes' shooting pace, which Arnett describes as "run-and-gun and crazy." "But it really worked to our advantage. It was 'OK, get over here, here we go,' and we were right back into it," says Arnett (who plays Lindsay's older brother, Gob, a preening, mediocre stage magician). "After working together on the series before, all of us just kind of knew what we're doing. There's an implicit trust there. I know that sounds corny, but it's true." This is a mutual admiration society: The cast heaps praise on Hurwitz, who volleys it back at his actors. And they all join in celebrating "Arrested" viewers, but for whom the show would be long dead and forgotten. "There are way, way more fans of 'The Big Bang Theory,'" notes David Cross (who plays Tobius Funke, a quack-psychiatrist-turned-actor-wannabe). "But they're not as passionate as 'Arrested Development' fans  because there's more to be passionate about." "In either a conscious or unconscious way, our audience thinks  and rightly so  it's THEIR show," says Jeffrey Tambor (who plays jailbird-patriarch George Bluth Sr.). "A lot of people have told me over the years that they would build friendships around the show," Ron Howard adds. "They would judge first dates on whether that person likes 'Arrested Development' or not. It was a means of evaluation." Does that mean there might be children walking around today whose parents were united by "Arrested Development"? "I think that's fair to assume," Howard says with a laugh. ___ Online: http://www.netflix.com ___ EDITOR'S NOTE  Frazier Moore is a national television columnist for The Associated Press. He can be reached at fmoore(at)ap.org and at http://www.twitter.com/tvfrazier.]]></content>
			<description><![CDATA[Portia de Rossi only believed it was happening when her agent got the good news from the producers. Michael Cera only believed it was happening when the cameras rolled....]]></description>
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			<title><![CDATA[Ari Folman animates Robin Wright in 'The Congress']]></title>
			<pubDate>Tue, 21 May 2013 12:08:10 +0000</pubDate>
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			<content><![CDATA[Hollywood is hell. That's an idea to set tongues wagging at the Cannes Film Festival, and it's the distinct impression left by Israeli director Ari Folman's head-spinning part-animated feature "The Congress." Fittingly, Cannes provided the inspiration for the director's dystopian vision of the entertainment business, which stars actress Robin Wright as, well, actress Robin Wright  a 40something performer whose career is on the slide. Folman conceived the kernel of the film when he came to the festival in 2008 with "Waltz With Bashir," his Academy Award-nominated animated film about his experiences as a young Israeli soldier in Lebanon in the 1980s. The director said he was walking through the bustling movie marketplace at Cannes when he saw an elderly woman. "And my sales agent asked me, do you recognize this lady? And I said no," Folman said. "And he told me her name and I was shocked, because she was this goddess American actress from the 70s. She was in her 70s, and no one recognized her. And this is Mecca for cinema, this place! "And I thought, she's got in front of her, everywhere, the image of her young, stolen forever in the movies. And here she is and she has to live with her image forever young, but she's getting old." Folman diplomatically declined to name the actress. But he said the episode gave him a way to realize a long-held dream of adapting "The Futurological Congress," a satirical sci-fi novel by Polish writer Stanislaw Lem in which pharmaceutical overlords keep the population hooked on hallucinogenic drugs. In the movie, Wright agrees to become a "scanned actor," a digital avatar owned by her studio. The digital Wright can be endlessly, agelessly used in new movies  the studio makes her "Agent Robin" in a sci-fi action series  while the flesh-and-blood person grows old in obscurity. The film's live-action first half is an entertainingly bleak depiction of Hollywood, with an on-the-ropes Wright berated by her agent (a delicious Harvey Keitel) and bullied by her studio boss (a malevolent Danny Huston). Wright has been called brave for taking on issues of aging and image so directly. But Folman said he didn't see it that way when he offered the role to the actress after sitting across from her at an awards ceremony and thinking she looked sad. "I think it's a great role," he said. "She is Robin Wright, she is Agent Robin in the movie, she's an animated character, she's an old Robin at the very end, she sings two songs  it's a great role. "Although Harvey Keitel told me one day on the set, 'Man, she is so brave. You could have offered me the world, I would never do what she does in this movie.'" Wright has said she doesn't think she is playing herself, even though she and her screen character share a name and many biographical details, including roles in "The Princess Bride" and "Forrest Gump." Once Wright has been digitally scanned, the movie switches to animation as the character visits a conference at a luxury hotel  where her films screen endlessly and she goes unrecognized  and learns of a sinister plot to make the power of celebrity even more addictive. The movie's audacious shifts of tone, and its swirling, psychedelically tinged animation, have elicited diverse reactions at Cannes, where "The Congress" opened the Director's Fortnight competition. Many saw it as original but uneven. It's inarguably a strikingly original work by a director who is both amused and despairing about the modern entertainment business. Folman, a genial, bearded 50-year-old sporting a gold medallion and an earring, says he fears the sort of movies that inspired him  the director-driven American cinema of the 1970s  is dying, soon to be found only in cinema museums. And don't get him started on 3-D, CGI and the other digital tricks that, Folman thinks, are ruining movies. "The role of the director is completely different (today)," he said. "Until recently the urgency on the set to make a movie was huge. Today, it's only part of the job, because you can fix everything afterwards. The set is blue screens, and then you build it and you can fix it. And sometimes it's for the good, but I can give you examples where it's terrible. "My favorite sci-fi movie ever is 'Blade Runner.' This film was done with hand-made crafts." For the movie, director Ridley Scott "built the sets  it's wood and paper and plastic and aluminum. I see this movie every few months on a big screen at home and it will live forever. "Same guy did 'Prometheus' last year. Who saw it?" Folman is keeping the flame burning for an older form of cinema  but it's a slow and laborious process. "The Congress" took five years to make, and slightly under an hour of animation required two years of work by animators in nine countries. "I try not to look at myself as this nostalgic (person)," Folman added, pausing a second before adding: "But." "I don't say we will have scanned actors. I think the human side will win. I am a true believer in that. "But if I look at my kids and the way they use everything  iPads and electronics and everything  I have to be honest with myself and say, if my kids, in 15 years' time, see a movie with scanned characters, they won't give a damn." ___ Jill Lawless can be reached at http://Twitter.com/JillLawless]]></content>
			<description><![CDATA[Hollywood is hell....]]></description>
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			<title><![CDATA[Dutch author Bakker wins Booktrust foreign fiction prize]]></title>
			<pubDate>Tue, 21 May 2013 10:15:02 +0000</pubDate>
			<link><![CDATA[http://entertainment.terra.com/dutch-author-bakker-wins-booktrust-foreign-fiction-prize,be4daa33a92ce310VgnCLD2000000ec6eb0aRCRD.html]]></link>
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			<content><![CDATA[Dutch author Gerbrand Bakker has won the 2013 Independent Foreign Fiction Prize awarded by Britain's Booktrust charity for "The Detour", a tale of infidelity, exile and isolation. Bakker will share the 10,000 pound ($15,200) prize with translator David Colmer for the story of Emilie, a translation professor and Emily Dickinson scholar, who retreats from her life in the Netherlands to an isolated farmhouse in Wales following an affair with a student. "Gerbrand Bakker's tale of a Dutchwoman who goes missing from her own troubled life and seeks refuge in rural Wales combines mesmeric storytelling with an uncanny sense of place, and an atmosphere of brooding, irresistible menace," prize judge and Independent newspaper literary editor Boyd Tonkin said. Bakker led a shortlist which included Man Booker International Prize-winner Ismail Kadare from Albania, Croatian author Daaa Drndic, Chris Barnard from South Africa and Enrique Vila-Matas from Spain. The Independent Foreign Fiction Prize is awarded annually to the best work of contemporary fiction by a living author which was translated into English from any other language and published in the United Kingdom in 2012. The prize acknowledges the writer and translator equally, recognizing the importance of the translator's ability to bridge the gap between languages and cultures. Booktrust is an independent British reading and writing charity. Previous winners of the prize include Milan Kundera and Anthea Bell. The 2012 winner was Israeli author Aharon Appelfeld for "Blooms of Darkness", translated from Hebrew by Jeffrey M Green. (Reporting by Paul Casciato; Editing by Raissa Kasolowsky)]]></content>
			<description><![CDATA[Dutch author Gerbrand Bakker has won the 2013 Independent Foreign Fiction Prize awarded by Britain's Booktrust charity for "The Detour", a tale of infidelity, exile and isolation....]]></description>
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			<title><![CDATA[Kanye West debuts dark new songs on 'SNL' - video]]></title>
			<pubDate>Mon, 20 May 2013 21:13:26 +0000</pubDate>
			<link><![CDATA[http://music.terra.com/kanye-west-debuts-dark-new-songs-on-snl-video,2c0bf5c98c3ce310VgnVCM20000099cceb0aRCRD.html]]></link>
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			<content><![CDATA[Kanye West is finally making headlines for his music again bringing two new and really moody songs off his upcoming album, Yeezus, to 'SNL' this weekend. The first performance of 'Black Skinhead' (watch it up top) featured the rapper almost in the dark with the exception of images of black barking dogs, hooded figured and vintage price tags flashing behind him as he spits out lyrics like, "You see a black man with a white woman/at the top floor they gone come to kill King Kong/Middle America packed in/came to see me in my black skin." For 'New Slaves,' a song he premiered the night before at over 66 locations all over the world via projections of his face on the facades of buildings, he offered the same visuals in the dark. Watch 'Ye doing 'New Slaves' on the show below. Follow us: Twitter - Facebook]]></content>
			<description><![CDATA[Kanye West is finally making headlines for his music again bringing two new and really moody songs off his upcoming album, Yeezus, to 'SNL' this weekend....]]></description>
			<category><![CDATA[Music]]></category>
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			<title><![CDATA[Justin Timberlake handsome & stylish @ Cannes - photos]]></title>
			<pubDate>Mon, 20 May 2013 20:48:24 +0000</pubDate>
			<link><![CDATA[http://entertainment.terra.com/justin-timberlake-handsome-stylish-cannes-photos,9d57c8e2ea3ce310VgnVCM20000099cceb0aRCRD.html]]></link>
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			<content><![CDATA[Justin Timberlake is nothing short of the world's most liked man. The singer-actor arrives at the red carpet premiere of the film, 'Inside Llewyn Davis' to a roar crowd this Sunday. Timberlake stars as a '60's singer whose wife, played by Carey Mulligan, cheats on him with the title character (Oscar Issac). While on the red carpet, JT went with a classic tux, his outfit for the photo call really had us reeling. He just looks so perfect! Check out the pics below. Follow us: Twitter - Facebook]]></content>
			<description><![CDATA[Justin Timberlake is nothing short of the world's most liked man....]]></description>
			<category><![CDATA[Entertainment]]></category>
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			<title><![CDATA[Gold becomes a theme at glitzy Cannes amfAR gala]]></title>
			<pubDate>Mon, 20 May 2013 19:53:10 +0000</pubDate>
			<link><![CDATA[http://entertainment.terra.com/gold-becomes-a-theme-at-glitzy-cannes-amfar-gala,4a4aaa33a92ce310VgnCLD2000000ec6eb0aRCRD.html]]></link>
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			<content><![CDATA[re's always glitz and glamour at Cannes, France, during its annual film festival, and it's no different this year. But there's still a heavy infusion of gold to come this week at Thursday's amfAR gala, which will treat its celebrity guests to 40 of the world's top models in "The Ultimate Gold Collection Fashion Show," curated by Carine Roitfeld. It's the 20th edition of the gala, which raises money for AIDS research, and the "ultimate" show builds on a smaller one that launched last year. This time, Karlie Kloss, Karolina Kurkova, Angela Lindvall and Alessandra Ambrosio will be dripping in gold jewelry and wearing gleaming gowns by Giorgio Armani, Alexander Wang, Marchesa and Louis Vuitton, among others. "It was really hard to choose a dress for this," said Eva Cavalli, who is donating a mermaid, sequin-covered gown from the Roberto Cavalli archive that Kurkova will wear to open the show. "Gold for Cavalli is THE color: the color of sun, positivity, warmth, joy," said Cavalli, Roberto's wife and design partner. "But it was hard to choose for this. I also thought of gold leather, but I was thinking that I wanted to give something really special, and this is one of the most beautiful pieces we ever did." Charity catwalks such as this add a little sense of competition among designers, she said, but "only because everyone wants to do more, give more and be involved more, but in a friendly way." She bought a Valentino red gown at another amfAR event. "I've never worn it, but it looks good and maybe I will wear it someday." Years ago, fashion wasn't a big part of the event  or even the film festival, Roitfeld said, but there were so many beautiful dresses and so many beautiful faces that it was ripe to make a big, bold style statement. "It's so glamorous and generous at amfAR. Why not?" Roitfeld, who usually has a uniform of black or khaki, said she'll wear gold, "which is a big deal for me." She'll be mingling with Sharon Stone, Heidi Klum, Jessica Chastain and Harvey Weinstein, among others, and scheduled performers include Duran Duran, Shirley Bassey, Ellie Goulding and Hot Chelle Rae. The event will stream live at the Lovegold.com website. "We had to make it more fun than other fashion shows. It's not all journalists and the people who go to fashion shows at Cannes. We have to entertain. ... It's more like a Victoria's Secret show, where they create the dream of women to have wings on their back. We're doing the same thing with our girls," Roitfeld said. "We're not there to sell the dress. The models are there more to flirt with the audience." She added: "Charity is always a good excuse to mix people with models." ___ Online: http://www.lovegold.com/]]></content>
			<description><![CDATA[re's always glitz and glamour at Cannes, France, during its annual film festival, and it's no different this year. But there's still a heavy infusion of gold to come this week at Thursday's amfAR gala, which will treat its celebrity guests to 40 of the world's top models in "The Ultimate Gold Collection Fashion Show," curated by Carine Roitfeld....]]></description>
			<category><![CDATA[Entertainment]]></category>
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